Hauntology and Weird are two iterations of the same problematic – that of crisis-blasted modernity showing its contradictory face, utterly new and traced with remnants, chaotic and nihilist and stained with human rebukes… Since the 1970s their ‘separateness’ has become dominant, not because there is a ‘drive to separate’, but as a corollary of the oscillating efficacy of as-simon-pure-as-possible Weird and/or hauntology, for thinking our fraught and oppositional history since the end of Keynesianism, that great Cthulhu-swat and ghostbuster.
China Mieville, M.R. James and the Quantum Vampire
This passage has nothing in particular to do with the photos I took this month, I just thought it was seasonally appropriate.
[All of these photos were taken on an Olympus OM-1n Camera using Kodak T-Max P3200 Film.]
Not Enough Time 
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